{"id":684,"date":"2015-12-26T17:59:41","date_gmt":"2015-12-26T16:59:41","guid":{"rendered":"http:\/\/barcelona2016.aic-iac.org\/?page_id=684"},"modified":"2016-09-06T09:54:47","modified_gmt":"2016-09-06T08:54:47","slug":"","status":"publish","type":"page","link":"https:\/\/barcelona2016.aic-iac.org\/ca\/speakers\/13th-september-tuesday-09-00-14-00h\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":4,"featured_media":1100,"parent":14,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_en_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_1100\" align=\"alignnone\" width=\"2990\"]\"D1BatlloHousecopie\" Batllo House[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

Art and Nature: Ceramics in Modernist Architecture<\/span><\/p>\r\n

Modernism was the first art movement with international influence but was especially prominent in Europe, where it originated and where its greatest works are concentrated. In this context, Barcelona and Catalonia stand out as one of the places where examples are most splendid and expressed in the works of such great architects such as Antoni Gaud\u00ed, Llu\u00eds Dom\u00e8nech i Montaner and Josep Puig i Cadafalch, although many more could be mentioned as well.<\/p>\r\n

One of the key elements that distinguish Modernism in relation to other architectural movements is the constant presence of the applied arts, which represented a great resurgence of artisan trades. Wrought iron, stained glass windows with leaded glass, and ceramics (in both construction and decorative aspects) reached levels of excellence never before seen.<\/p>\r\n<\/td>\r\n

\r\n

Today, these works are the subject of study by art historians and also the object of major restoration work to return them to their original splendor, a process that employs numerous ceramists. Indeed, there is one case, Antoni Gaud\u00ed's Basilica of the Sagrada Familia in Barcelona, which is still under construction and employs some of Catalonia's finest artisans.<\/p>\r\n

It is our desire that the congress meeting will provide a means for international experts to take part in a round-table discussion and for various speakers to present papers on this subject.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

 <\/p>\r\n

Program:
<\/span>\u00a0
09:00\u00a0
Panel and Discussion Topic:\u00a0\u201cArt and Nature: Ceramics in Modernist Architecture\u201d opening by the speakers.<\/p>\r\n

10:30\u00a0
Pause - coffee break<\/p>\r\n

11:00
Papers<\/p>\r\n

13:00
Lunch in the foyer of the conference room<\/p>\r\n<\/td>\r\n

\r\n

 <\/p>\r\n

Speakers:<\/span><\/p>\r\n

Mireia Freixa<\/a>
Professor of Art History, University of Barcelona, specialist in Modernism.<\/p>\r\n

Marta Salin\u00e9 Perich
<\/a>PhD in Art History, specialist in Modernism<\/p>\r\n

Daniel Giralt-Miracle
Art historian and critic, specialist
in Catalan Modernism<\/p>\r\n

Moderator:

<\/strong><\/span>Magda Polo,
Professor of the Art Department of Barcelona University, former president of A-FAD (Arts and Crafts and Design association).<\/p>\r\n

Papers presented by:<\/span><\/p>\r\n

Xavier Laumain i Angela L\u00f3pez Sabater
\u201cLos mosaicos Nolla y su aplicaci\u00f3n en la arquitectura modernista\u201d<\/p>\r\n

Carmen Riu de Martin
\u201cLlu\u00eds Dom\u00e8nec i Montaner: naturaleza e historia en sus construcciones barcelonesas\u201d<\/p>\r\n

Lluis Gueilburt
\u201cMemoria de un industrial desconocido: La f\u00e1brica de cer\u00e1micas Sebasti\u00e1n Rib\u00f3 ubicada en la calle Dos de Mayo de Sant Mart\u00ed de Proven\u00e7als\u201d<\/p>\r\n

Silvia Roses
\u201cCer\u00e0mica i t\u00e8xtil: una estreta relaci\u00f3 durant el Modernisme\u201d<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u200b<\/p>\r\n

 <\/p>","_en_post_name":"13th-september-tuesday-09-00-14-00h","_en_post_excerpt":"Debate session: Art and Nature: Ceramics in Modernist Architecture","_en_post_title":"DEBATE SESSION 2\u2014TUESDAY 13.09.2016","_fr_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_1100\" align=\"alignnone\" width=\"2990\"]\"D1BatlloHousecopie\" Batllo House[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

Art et nature: La c\u00e9ramique dans l\u2019architecture Moderniste (Art Nouveau)<\/span><\/p>\r\n

(Description seulement en anglais)
<\/span>
<\/span>Modernism was the first art movement with international influence but was especially prominent in Europe, where it originated and where its greatest works are concentrated. In this context, Barcelona and Catalonia stand out as one of the places where examples are most splendid and expressed in the works of such great architects such as Antoni Gaud\u00ed, Llu\u00eds Dom\u00e8nech i Montaner and Josep Puig i Cadafalch, although many more could be mentioned as well.<\/p>\r\n

One of the key elements that distinguish Modernism in relation to other architectural movements is the constant presence of the applied arts, which represented a great resurgence of artisan trades. Wrought iron, stained glass windows with leaded glass, and ceramics (in both construction and decorative aspects) reached levels of excellence never before seen.<\/p>\r\n<\/td>\r\n

\r\n

Today, these works are the subject of study by art historians and also the object of major restoration work to return them to their original splendor, a process that employs numerous ceramists. Indeed, there is one case, Antoni Gaud\u00ed's Basilica of the Sagrada Familia in Barcelona, which is still under construction and employs some of Catalonia's finest artisans.<\/p>\r\n

It is our desire that the congress meeting will provide a means for international experts to take part in a round-table discussion and for various speakers to present papers on this subject.<\/p>\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

 <\/p>\r\n

Programme:
<\/span>\u00a0
09:00\u00a0
Table ronde et d\u00e9bats: \u00ab\u00a0Art et Nature: La c\u00e9ramique dans l\u2019architecture Moderniste (Art Nouveau)\u00a0\u00bb Ouverture de la session par les conf\u00e9renciers-\u00e8res.<\/p>\r\n

10:30\u00a0
Pause caf\u00e9<\/p>\r\n

11:00
Session ouverte aux contributions s\u00e9lectionn\u00e9es sur le th\u00e8me Art et Nature: C\u00e9ramique dans l\u2019architecture Moderniste.<\/p>\r\n

13:00
D\u00e9jeuner dans le hall de la salle de conf\u00e9rences.<\/p>\r\n<\/td>\r\n

\r\n

 <\/p>\r\n

Conf\u00e9renciers-\u00e8res:
<\/span><\/p>\r\n

Mireia Freixa<\/a>,
professeur d\u2019Histoire de l\u2019Art \u00e0 l\u2019Universit\u00e9 de Barcelone, sp\u00e9cialis\u00e9e dans le Modernisme.<\/p>\r\n

Marta Salin\u00e9 Perich,
<\/a>docteur en Histoire de l\u2019Art, sp\u00e9cialiste du modernisme<\/p>\r\n

Daniel Giralt-Miracle,
historien de l\u2019Art et critique d\u2019Art, sp\u00e9cialiste du modernisme<\/p>\r\n

Mod\u00e9ratrice:
<\/span><\/p>\r\n

Magda Polo,
professeur du D\u00e9partement d\u2019Histoire de l\u2019Art de l\u2019Universit\u00e9 de Barcelone et ex-pr\u00e9sidente de A-FAD<\/p>\r\n

Contributeurs-trices au d\u00e9bat:<\/span><\/p>\r\n

Xavier Laumain i Angela L\u00f3pez Sabater
\u201cLos mosaicos Nolla y su aplicaci\u00f3n en la arquitectura modernista\u201d<\/p>\r\n

Carmen Riu de Martin
\u201cLlu\u00eds Dom\u00e8nec i Montaner: naturaleza e historia en sus construcciones barcelonesas\u201d<\/p>\r\n

Lluis Gueilburt
\u201cMemoria de un industrial desconocido: La f\u00e1brica de cer\u00e1micas Sebasti\u00e1n Rib\u00f3 ubicada en la calle Dos de Mayo de Sant Mart\u00ed de Proven\u00e7als\u201d<\/p>\r\n

Silvia Roses
\u201cCer\u00e0mica i t\u00e8xtil: una estreta relaci\u00f3 durant el Modernisme\u201d<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u200b<\/p>\r\n

 <\/p>","_fr_post_name":"13th-september-tuesday-09-00-14-00h","_fr_post_excerpt":"Art et nature: La c\u00e9ramique dans l\u2019architecture Moderniste (Art Nouveau)","_fr_post_title":"Session de d\u00e9bats 2 - MARDI 13.09.2016","_es_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_1100\" align=\"alignnone\" width=\"2990\"]\"D1BatlloHousecopie\" Batllo House[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

Arte y Naturaleza: La cer\u00e1mica en la arquitectura Modernista<\/span><\/p>\r\n

El Modernismo fue el primer movimiento art\u00edstico de alcance mundial, con buenas muestras en todo el mundo, pero es sobre todo en Europa donde tiene su origen y donde se concentran sus mejores realizaciones. En este contexto, Barcelona y Catalunya sobresalen como uno de los lugares donde sus resultados son m\u00e1s esplendorosos, con grandes arquitectos como Antoni Gaud\u00ed i Cornet, Llu\u00eds Dom\u00e8nech i Montaner y Josep Puig i Cadafalch, si bien podr\u00edamos mencionar muchos otros.<\/p>\r\n<\/td>\r\n

\r\n

Uno de los elementos fundamentales que distinguen el Modernismo en relaci\u00f3n a otros movimientos arquitect\u00f3nicos es la presencia constante de las artes aplicadas, lo que supuso un gran resurgimiento de los oficios artesanos. As\u00ed vemos como la forja en hierro, las vidrieras con vidrio emplomado o la cer\u00e1mica (tanto en su vertiente constructiva como decorativa) alcanzan unos niveles de excelencia a como nunca se hab\u00eda visto. Sus obras son actualmente objeto de estudio de historiadores del arte y tambi\u00e9n de importantes trabajos de restauraci\u00f3n, para devolverles todo su esplendor, lo que est\u00e1 dando trabajo a numerosos ceramistas. Incluso hay un caso, el de la bas\u00edlica de la Sagrada Familia de Barcelona, iniciada en 1882, que todav\u00eda est\u00e1 en construcci\u00f3n y en la que participan algunos de los buenos artesanos que hay en Catalunya.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

Programa<\/span><\/p>\r\n

09.00h Panel y debate<\/p>\r\n

Tema:\"Arte y Naturaleza: La cer\u00e1mica en la arquitectura Modernista\"<\/p>\r\n

10.30h Pausa - caf\u00e9<\/p>\r\n

11.00h Ponencias<\/p>\r\n

 <\/p>\r\n

13.00h Almuerzo buffet en el foyer del auditorio del DHub<\/p>\r\n<\/td>\r\n

\r\n

Participantes:<\/span><\/p>\r\n

Mireia Freixa<\/a>
profesora de Historia del Arte, Universidad de Barcelona, especialista en Modernismo.<\/p>\r\n

Marta Salin\u00e9 Perich
<\/a>Doctora en Historia del Arte, especialista en modernismo<\/p>\r\n

Daniel Giralt-Miracle historiador y cr\u00edtico de arte, especialista en Modernismo catal\u00e1n<\/p>\r\n

Moderator:
<\/span>
<\/strong><\/span>Magda Polo,
profesora del Departamento de Historia del Arte de la Universidad de Barcelona, ex presidente de A-FAD.<\/p>\r\n

Ponencias:<\/span><\/p>\r\n

Xavier Laumain i Angela L\u00f3pez Sabater\u00a0
\u201cLos mosaicos Nolla y su aplicaci\u00f3n en la arquitectura modernista\u201d<\/p>\r\n

Carmen Riu de Martin
\u201cLlu\u00eds Dom\u00e8nec i Montaner: naturaleza e historia en sus construcciones barcelonesas\u201d<\/p>\r\n

Lluis Gueilburt
\u201cMemoria de un industrial desconocido: La f\u00e1brica de cer\u00e1micas Sebasti\u00e1n Rib\u00f3 ubicada en la calle Dos de Mayo de Sant Mart\u00ed de Proven\u00e7als\u201d<\/p>\r\n

Silvia Roses
\u201cCer\u00e0mica i t\u00e8xtil: una estreta relaci\u00f3 durant el Modernisme\u201d<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u200b<\/p>","_es_post_name":"13th-september-tuesday-09-00-14-00h","_es_post_excerpt":"Sesione de debate: \"Arte y Naturaleza: La cer\u00e1mica en la arquitectura Modernista\"","_es_post_title":"SESIONE DE DEBATE 2 - 13.09.2016","_ca_post_content":"","_ca_post_name":"","_ca_post_excerpt":"","_ca_post_title":"","edit_language":"ca","footnotes":""},"class_list":["post-684","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/pages\/684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/comments?post=684"}],"version-history":[{"count":37,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/pages\/684\/revisions"}],"predecessor-version":[{"id":2101,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/pages\/684\/revisions\/2101"}],"up":[{"embeddable":true,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/pages\/14"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/media\/1100"}],"wp:attachment":[{"href":"https:\/\/barcelona2016.aic-iac.org\/ca\/wp-json\/wp\/v2\/media?parent=684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}